Hey Nonny!
Honestly I DONâT because I LOVE S3 â itâs my favourite season â but I DO think itâs because Mary plays a huge part of it. S1 and S2 was a lot more Sherlock-and-John, a lot more adventure oriented, a lot more just the two of them⌠and it was all from Johnâs POV, and I think a lot of people misread Sherlockâs character and hated the way they softened him in S3 when he always was a big softy. See, I love S3 because it is from Sherlockâs POV and we get to see his inner complex thoughts and workings, and we get to see just how much he adores and idolizes John (I mean, John is just SO GORGEOUS in S3, and I think thatâs because the camera is supposed to be from Sherlockâs POV, so John in turn looks beautiful). That would be my guess; I think they also believe Johnâs character changed, whereas I donât believe he did at all â because weâre in Sherlockâs POV, weâre seeing how SHERLOCK perceives John, but he clearly picks up on Johnâs admiration for him (TSo3 and TAB are the most obvious).
But yes, I do believe MARY is the BIGGEST point against S3, and in the wake of S4, weâre seeing just how pointless her role and characterization was in S3 since they literally did nothing with it at the end of it all. They were building her up to be an interesting exciting villain and in the end nothing came of it.
I dimly recall enjoying watching the episodes the first time, at my friendâs house who had a tv. We laughed and gasped and squealed in probably most of the right places. But immediately afterward, we started noticing all the things that didnât make sense, and the âplotsâ collapsed like houses of cards. So that was annoying and frustrating, and only some of that was âfixedâ by meta analysis.
TEH was packed with fake lying BS from one end to the other, and ymmv but i donât enjoy that. TSOT was trying to come off as a wacky rom-com or something, but âmaryâ is just creepy, and sherlock is clearly heartbroken, so, no. HLV, i never wont to see again. SUPER creepy/rapey villain, the absolutely nonsensical shooting (s) etc, again, just NO. I wasted my money on the dvd set, learned my lesson there: do not preorder. Did not make that mistake again.
âMaryâ is definitely a big part of what ruined s3-4 for me, but not all of it. I nearly liked her for two whole weeks. A bigger factor was feeling disrespected as a fan, the nonsensical âplotsâ, the all hurt no comfort, and the simple lack of enjoyment on the part of the CHARACTERS. Gone were the moments like giggling in the 221b foyer, the âOHâ and âbrilliant!â and making each other smile and laugh. There was just nothing to savor, the way there had been in s1-2. I get that some people love angst, and Iâm happy for them, but i canât do it unmixed with any resolution. Sherlock being a âsoftyâ is not a problem, he already was.
I wish they had wrapped up âmaryâ within s3, rather than dragging her thru TAB and s4. Personally, i would have rather spent the time on sherlock and john, their back stories, their relationship, and slightly more plausible cases. Just, a more coherent story would be nice, rather than random chunks of six different WIPs.I used to love Mary. Then HLV happened.
Mofftiss asked far too much of us. He wants to do a River Song 2.0 but this falls flat. I was told, no, ordered to forgive her for shooting Sherlock. They needed us to believe that she was surgery and at the same time implied that Sherlock never was in any danger.
So what? Moriarty telling Sherlock how heâs going to enjoy death, that meant nothing because he never was going to die? Sherlock punching the ground to start his heart again, that was just him being overdramatic? After all, that was surgery, he didnât need to do it. So, he didnât choose to live because he thought John was in grave danger because of that wife?
I would have reluctantly bought the surgery thing if Sherlock hadnât had thought for 10 whole minutes that the way he needed to fall would change whether or not heâd survive this bullet wound and if he hadnât crawled his way back to life after the doctor gave up on him.
And what Mary did spoils everything sheâs done until then, doesnât it? And she goes after Sherlock with a gun ready, looking after him with a look that is made to remind you of a hitman on a mission. We spend a third of the episode, the heart of this episode, honest to God thinking sheâs going to kill Sherlock.
I could, somehow, have forgiven her. But they should have done it immediately afterwards.
Like, by doing something like that:
They do not drug Mary with the tea. She comes with them, because she is the one being blackmailed and she has her agency. They go to Magnussenâs office and he taunts them (while being reluctantly shifty of Mary but apparently being pregnant and having no gun on youself makes you harmless).
They follow Magnussen and her face literally looses colour when she realizes he has no documents and everything is in his head. She internally freaks out whenever he tells John something about her past because, God, what if John changes his mind?
And he starts flicking his face in front of her and she realizes that sheâs put him in danger. That Magnussen can call anyone and theyâd go killing her husband and her daughter.
So, when the helicopters start coming, she takes his gun and finally kills him. She tells John and Sherlock to get away from her, that sheâs sorry to have put them on this mess and asks John to take good care of their daughter. She says that she did try to kill Sherlock because sheâs known about this chain of pressure points business and she just wanted to break the chain and not turn John into a pawn, but sheâs sorry. God, sheâs sorry because she likes him but she wanted to protect John. Please forgive her, sheâs never wanted her past to become their burden.
And she goes on the plane, because she too is too clever to go to prison. So she asks for Sherlock to look after John and the baby whoâs now born. And the Moriarty video appears when sheâs taken off.
And Sherlock tells Mycroft heâll only help them if Mary comes back.
Had they done that, I would have cried like baby and forgiven everything.
But I suppose their idea was better than mine.
Tag: fandom
I fixed Mycroftâs fridge.
Positive Thing from S4 no. 2: Everyone is extremely good at finding lyrics and poems, putting them on gif sets and making me feel like I’ve been stabbed in the chest.
hey y’all, im gonna do a giveaway of my sherlock merch! i really cant handle keeping this all after how season four went, so i want this stuff to go to someone who still loves the show.
THE STUFF:
⢠sherlock, john, mycroft, and moriarty pop! figures
⢠sherlock chronicles
⢠sherlock: the essential arthur conan doyle adventures
⢠the casebook
⢠seasons one and two on dvd
⢠I AM SHER LOCKED pillowNOTICE: i have a dog! iâm going to give the pillow cover a good wash but my boy sleeps in my bed every night so if you have a dog allergy and you donât want the pillow if you win, please lmk!
RULES:
⢠likes and reblogs both count, reblog as many times as you want
⢠you dont have to be following me
⢠no giveaway blogs
⢠two winners will be chosen: first place gets two pop! figures of their choice, the pillow, both dvds, and two books of their choice. second place gets the two remaining pop! figures and the remaining bookiâll choose the winners on may 1 at noon. good luck yall âď¸
The death of meta
I would have to say that the Sherlock fandom is more than
half of why I fell in love with this show. The clever, well-informed critiques
that people had of this show blew me away. People well versed in story-telling,
film making, and queer history came forward and wrote beautiful, stunning
things about BBC Sherlock, its characters, its gorgeous lush images, and its
over-arching storylines running through the text and subtext. People brought both
serious analyses, and funny, cracky ideas about the show and where things were headed
to the table to enjoy and build on. I reveled in the fertile ground of the
Sherlock fandomâs intellect and imagination. Post s3 was a heady time in the
fandom.And then series 4 happened.
I know many have continued to write well-thought meta pieces
on s4, on symbolism, and explanations for time lines, and possible dream
sequences. I applaud those who still want to play that game. I had to let it
go.At the end of s3, Mary had been set up to be an ultimate
baddie, someone in cahoots with Moriarty  orchestrating John and Sherlockâs downfall.
Then suddenly with the opening s4, the trio are back together solving crimes
with the baby in some goofy parody of a sitcom. Mary and Sherlock trade jibes while
putting John down, and oh right, they got a dog to walk around and  ⌠. clue for looks? Iâm not quite sure.The series delved more and more into the absurd as it went
along. There were no consequences for anything, red herrings, and dropped
set-ups flew in thick and fast as hail on a cold spring morning. What was in
that letter John gave to Sherlock? Why did we see multiple conflicting scenes
of John checking his texts in bed? What was the whole point of that
memory-wiping drug they made so much of? Since the real Faith never came to
speak to Sherlock, did it really even happen? What did really happen? Then the
story took a huge jump into an alternate reality where Sherlockâs mad sister
has X-men powers of brain-washing, and can pop in and out of prison and set-up
whatever outlandish scenarios suit her fancy. Oh, and John left his feet in the
well to be rescued. I just.Nothing that came before series 4 seemed to have any bearing
on what we saw in January. Itâs as if we started watching a completely
different show that just happened to have the same actors we knew playing in
it. No longer did a cohesive narrative seem to run through the show. Anything
we knew of the characters and their history and personalities was erased and
rewritten with whatever seemed wacky and fun for the moment. I do applaud those
who want to continue the game of finding connection and meaning in the Sherlock
show, but I had to put all that down and walk away. Â Within fandom, in the art, and fanfic, and
clever writing about this show, I can find depth of feeling, integrity,
interest in character study, and a rich story-telling exploration of âwhat
might have happened next.â When I look at what the showrunners gave us for s4?
All I can say is nothing means anything anymore. Flash, splash and dash are
simply great barrels of fun  ⌠and
boop, itâs all fine.
google knows whats up
It’s been some time since s4 and I can be glad of one thing: Tom Hiddleston was not the 3rd Holmes brother.
simpleanddestructivechemistry:
đđđťđđť
Where is the lie?
simpleanddestructivechemistry:
simpleanddestructivechemistry:
One time Rosie had to spend the night at Mycroftâs house while her dads were out on a case.
Ever since, every few months, Uncle Mycroft receives a new piece of Rosie-created art to display on his Sad Refrigeratorâ˘.*headcanon accepted* đâ¤ď¸
She comes over again after about a year of sending him her works for Sad Refrigerator, and becomes very sad herself when she sees they are not there. But Mycroft then clears his throat and takes her by the hand, leads her to his study. There is a wall of professionally framed and lit art. Her art. They even each have a brass plate announcing her age at time of creation.
it got better! đđťđđťđđť
iâm a sobbing puddle⌠đâ¤ď¸â¤ď¸â¤ď¸
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