believe me when i say this scene has reached the apogee of queer subtext
we have:
sherlock and john drinking alcohol from phallic-shaped objects
the colours of the bisexual pride flag projected onto the background
“galang” by M.I.A., which contains the lyrics “work is gonna save you, pray and you will pull through, suck-a-dick’ll help you, don’t let ‘em get to you, if he’s got one, you’ve got 2”, playing at that exact moment
this is about as subtle as sherlock’s military kink, congrats writers
LOOK AT THIS POOR OPPRESSED WOMAN AND WHAT HER COUNTRY IS MAKING HER DO.
Even in her eyes it says “help me”.
This is why we have to stop these misogynistic societies.
I’m sorry but no. I acknowledg that this is terrible, but don’t you think we should fix our own countries mishaps before we deal in other countries affairs? We have corrupt businesses, crime, poverty, homelessness, and believe it or not starvation.
Does anyone even know the threat that walmart has to this country?!
I hope you’re being ironic ouo
everything about this is horrible tbh
Isn’t that Benedict Cumberbatch?
That’s Benedict Cumberbatch.
Guys that’s obviously Benedict Cumberbatch.
Oh my god I’ve never imagined this situation
IVE BE EN LAGUHING FOR THE PAST 500 YEARS
OMGGG YOU GUYS
#when gifs are taken out of context
I was going to reblog this b/c it is an awesome gif of benedict as sherlock and then i read the comments *dies laughing*
Benedict Cumberbatch = Oppressed Muslim woman.
I can’t breathe. I’ve just been laughing for the past 5 min.
BRB. Currently dying.
What the fuck I am crying oh god oh my god asdhsdhgdfhjdfj I can’t breathe ahahahahaa
This will never be not funny omg
OMFG I CAN’T STOP LAUGHING BAHAHHAHA
British actors are so skilled… they get mixed up with not only a role but even with a role they aren’t playing
So, one of Holmes and Watson’s clients entering their living room about 1886 would have found its walls decorated, most likely, by the reproduction of one of the above famous portraits of General Charles George Gordon, as well as by the reproduction of one of the above famous portraits of Henry Ward Beecher.
We can infer from the canonical quote above, that both were Watson’s contribution to the lodgings’ furnishing: Holmes says “YOUR newly framed picture of General Gordon”, and Beecher’s portrait stands upon WATSON’S books. The fact that one of them was “newly framed”, while the other was still lacking a frame, indicates probably a recent acquisition on Watson’s part, even if, I think, not a simultaneous one, otherwise Watson would have had the portrait of Beecher framed, too, when he brought Gordon’s one to the framer’s. Besides, while Watson had already found a suitable place and hung Gordon’s portrait, from Holmes’ comment it’s apparent that he was pondering in that precise moment where Beecher’s one could better fit.
My personal educated guess (read: headcanon) is that Watson bought Gordon’s portrait not long after the news of Gordon’s tragic death, which occurred on 26 January 1885, and on the surge of public emotion caused by it. Some time later, maybe on the occasion of the following Christmas, maybe following the death of Beecher in March 1887 and knowing that Watson would have liked a memento like the one he had bought of Gordon, Holmes, remembering passionate conversations with Watson about his ‘heroes’ Gordon AND Beecher (also hinted at in the above quote), decided to present his friend with a portrait of the latter, which could be an appreciated pendant to Gordon’s picture. (After all who, if not Sherlock Holmes, should be able to deduce the perfect gift for anybody?!? And even more so for his best friend and co-lodger!)
That Watson was a huge fan of these two people tells us quitesomething about our good Doctor.
[WARNING: Biographical digression begins!]
Charles George Gordon, aka ‘Chinese Gordon’, aka ‘Gordon Pasha’, aka ‘Gordon of Karthoum’ was probably the most famous British general of his age and, at the time of his death, was regarded by the majority of British public opinion as an heroic, almost Christologic figure (even if many of more recent historians provide – quite rightly, according to me – a by far more critical appraisal of the man), probably reinforced by his well known strong and a bit mystical religious beliefs. Contemporary biographies had almost invariably a quite hagiographic undertone, and therefore that was his image about the British population in those years (and probably still is, to many, also thanks to Ardrey’s famous 1966 film). Gordon firstly made his military reputation in China, where he was placed in command of a force of Chinese soldiers led by European officers. In the early 1860s, this army was instrumental in putting down the Taiping Rebellion (probably the first ‘total war’ of modern history, with estimated casualties amounting to 20 millions or more, and for the first time a prevailing civilian component amongst them), regularly defeating much larger forces. For these accomplishments, he was given the nickname “Chinese” Gordon and honours from both the Emperor of China and the British. Back in England, following the death of his father he undertook extensive social work and donated the gardens of his official residence to the public, thus gaining a philantropic reputation. But his properly ‘heroic’ image was built after he, in 1873, entered the service of the Khedive (with the British government’s approval) and then became Governor-General of Sudan, where he did much to suppress revolts and the slave trade. Exhausted, he resigned and returned to Europe in 1880, where he spent a couple of weeks in the Hotel du Faucon in Lausanne, probably because there had lodges also Giusppe Garibaldi, one of HIS heroes (ok, forgive this moment of national pride…). When a serious revolt exploded in Sudan, led by a Muslim reformer and self-proclaimed Mahdi, Muhammad Ahmad, Gordon was sent again to Khartoum by the British Government (January 1884), with instructions to secure the evacuation and then depart. After evacuating about 2,500 British civilians, however, with the rebels advancing against Karthoum, Gordon retained a smaller group of soldiers and non-military men. Besieged by the Mahdi’s forces, Gordon organized a city-wide defence, which lasted almost a year and gained him the admiration of the British public, AND embarassed and annoyed the government, which had not wished to be so entangled in the rebellion. Only when public pressure to act had become too great did the government reluctantly send a relief force, which, however,arrived only two days after the city had fallen and Gordon had been killed, at age 51. The public outcry and indignation was immense, and Gordon was regarded almost as a martyr. His death led to an “unprecedented wave of public grief across Britain” and, in the following years, portraits of him and romanticized pictures of his death became quite popular amongst the British public; several memorials were built thanks to public subscriptions.
Henry Ward Beecher was American, the son of a Calvinist minister and a clergyman himself, albeit, possibly as a reaction to his father’s stern religious views, he developed a theology emphasizing God’s love above all else, and a novel (and very successful: he basically supported himself and his causes by the high fees he charged for his lectures, being a very popular lecturer) oratorical style, in which he employed humor, dialect, and slang. Himself a famous social reformer, Beecher had several siblings, many of whom became well-known educators and activists, most notably Harriet Beecher Stowe, who achieved worldwide fame with her abolitionist novel Uncle Tom’s Cabin. Beecher became involved in many social issues of his day, most notably abolition. In his essay Shall We Compromise, he attacked the Compromise of 1850, an agreement between anti-slavery and pro-slavery forces which banned slavery from California and Washington, D.C. at the cost of a more severe Fugitive Slave Act: Beecher argued that it was a Christian’s duty to feed and shelter escaped slaves, and that slavery and liberty were fundamentally incompatible, making compromise impossible (“One or the other must die”). When a conflict between anti-slavery and pro-slavery forces broke out in Kansas, in 1854, Beecher raised funds to send rifles to abolitionist forces, stating that the weapons would do more good than “a hundred Bibles”. The press subsequently nicknamed the weapons “Beecher’s Bibles”. In 1863, during the Civil War, President Abraham Lincoln sent Beecher on a speaking tour in Europe to gain support for the Union cause – and this is evidently the occasion referred to by Holmes in the above quote. Beecher’s speeches helped to turn European public opinion against the pro-slavery Confederate States and to prevent its recognition by foreign powers. Watson was only a child at the time, and it’s therefore unlikely – albeit not impossible – that he heard any of Beecher’s lectures in person, but he probably read about them following his keen interest in Beecher’s life and ideals. After the war, Beecher also strongly supported the temperance movement (he was a committed teetotaller himself) and became a leader in the movement for women’s suffrage. On the other hand, he supported social darwinist ideas and preached strongly against strikes and strikers, believing that businessmen and captains of industry should be the leaders of society. He also was a quite renown womanizer, and ended up involved in an adultery trial which raised a scandal of national (and international: George Sand planned to write a novel about it, but never managed to begin it before dying) proportions, the so-called “Beecher-Tilton Scandal”, which alienated him from many fellow women’s rights leaders – included his sister Isabella Beecher Hooker. He died in his sleep on 8 March 1887 (aged 73), having suffered a stroke some days before.
[END of biographical digression]
Now, of course, we cannot know exactly how much, and what, Watson shared with these two men with respect to their ideas – of course, he could as well have agreed upon some of them, and disagreed on others.
Nonetheless, it’s interesting to notice what they have in common:
Both of them – albeit in different ways and different continents – actively fought againstslavery and played an important role in taking it down.
They had both strong, charismatic characters, were natural leaders, had very strong – albeit occasionally eccentric – personalities, and were basically born fighters, even if they fought in different ways.
They had both, each one in his own way, a strong commitment to social work and social development (even if occasionally driven by questionable ideas…) and were, to some extent and with all their limits and all the due differences, ‘revolutionaries’.
They had both a strong religious, spiritual drive and some messianic trait, in a way – they were certainly persuaded that God backed up their causes, and their faith inspired their choices and commitments.
So, what do all these things tell us about Watson?
Well, I’d guess they basically confirm some things we already knew about the good Doctor, and maybe suggest something more. That Watson was a man who admired strong, leading personalities we know from his admiration and devotion to Sherlock Holmes. That he was, himself, a “man of action”, and thus couldn’t but admire other men of action, Holmes tells us more than once, and is also apparent from what Watson tells us about his role in Holmes’ adventures. That he was – just like his literary agent, Dr. Arthur Conan Doyle – a peculiar mixture of solid British conservativism and rebellious free spirit, all topped by a dominating chivalrous spirit which led him to run to the defense of the innocent, the weak, the defenseless, we can infer from the whole Canon. Whenever Holmes breaks the law to pursue what he deems a fairer output, a more just solution, Watson is with him; whenever there is a lady in distress, an innocent unjustly accused, someone who has suffered a wrongdoing, Watson’s heart (and arm…) go to them. Can we also infer an interest, on Watson’s part, for religious, or at least spiritual, issues? Well, in the Canon there are not direct references to such an interest; and yet, we know that Watson read Carlyle (STUD) and Jean Paul Richter (SIGN) and had enough interest in philosophy to mark Holmes’ lack of interest in it as one of his top limits at the beginning of their acquaintance (STUD). More than this, I guess, we cannot tell – maybe he had a more active interest in religion than Sherlock Holmes, maybe, instead, he was just interested in the philosophical aspects of it, but I’d dare say that he, like his best friend, kept to some kind of spiritual (not spiritistic!) belief.
In any case, Watson keeping posters of his idols on the walls of his lodgings and fangirling over them is so terribly endearing!
😉
Gordon also was a never-married lover of boys. Beecher, a known adulterer. Might also tell us Watson was willing to overlook some things about men he admired.
Good Lord of Heavens!! @darlingtonsubstitution I was actually going to theorize that perhaps what Watson saw in these men, additionally, was what he found not only in himself, but in Holmes also. I had remembered a canon quote about Holmes enjoying religious plays and studying Buddhism, so in trying to find it, I came across a very insightful article:
“In dozens of dialogues with Watson, Holmes attempts to awaken in his friend the skills and willingness to see things as they are, not as one wishes, believes, projects, or fantasizes they are. As the philosopher Wittgenstein said, in a Zen-like fashion much like Holmes’, “Don’t think. Look!” Indeed, many a case turns on Holmes’ ability to gaze at a crime scene and see it without prior theories or prejudice, to see what is present. Keeping perception clear is the opening to insight.
According to Doyle’s text, Holmes has only one clear religious interest: He’s an eclectic religious searcher, especially concerning the religions of the East. This interfaith curiosity is signaled early, in The Sign of Four, when Holmes is described by Watson as chatting away with casual brilliance on many subjects, “on miracle plays, on mediaeval pottery, on Stradivarius violins, on the Buddhism of Ceylon, and on the warships of the future.” Watson adds that Holmes spoke “as though he had made a special study of it.” That Holmes would study Hinayana Buddhism seems surprising, until one actually looks at the ancient sources of this rigorous minority branch of Buddhism. Then the attraction becomes quite clear. Hinayana Buddhism, which claims to be the oldest, most accurate account of Buddha’s teachings, presents the Buddha as cool, rational, and emotionally distant, a strict and intellectually rigorous instructor. (The Compassionate Buddha of Mahayana Buddhism had yet to be developed.)
In “The Veiled Lodger,” Watson describes his friend as sitting “upon the floor like some strange Buddha, with crossed legs.” What’s more, consider how Holmes spent his three-year “hiatus” when everyone thought him a dead man, at the bottom of Reichenbach Falls with Moriarty. Free to do as he pleased, Holmes spent two of those years traveling in Tibet, where, he says, he “amused myself by visiting Lhasa, and spending some days with the head lama.” Some Sherlockians have speculated that Holmes completed his Buddhist initiation during those years and became a Buddhist master, a guru of awareness and observation. Perhaps that explains why Holmes is never again seen using drugs to calm his teeming brain.” (!!)
So, this not only cements Sherlock as Charlie Welsborough, coming back from Tibet, and possibly intending to come out to his dad, (a John look-a-like, AND a British Conservative, just as you described Watson), only to be ‘burnt to a crisp’ before he can reveal himself, but there is a possibility that Holmes is a Buddhist! I am floored. That is an awesome theory, if true. An additional point, supposedly, he STOPPED using drugs, when he returned, so why did we get Shezza back, although, I could never regret the Henry IV speech.
@tendergingergirl thanks for all the information! Although I’m guessing you meant to tag @thenorwoodbuilder about the awesome content of the original post and the description of Watson……?
The
Secret of Sherlock Holmes was a play written by Jeremy Paul, who also wrote several episodes of the Granada series.
Paul and Jeremy Brett, who had been friends for two decades before this play
was produced, would often talk about Sherlock Holmes and his origins.
During one of these discussions, Brett commissioned this play from Paul; it contains many of Brett’s
own theories about the character so many people identified with him. The play
was meant to be a one-off, starring Jeremy Brett and Edward Hardwicke in their
famous roles, in celebration of the 100th anniversary of A Study in Scarlet.
However, it was met with such enthusiasm that it ended up running for a full
year (1988/1989), rather to the detriment of Brett’s health.
As a
refresher, the Granada series ran from 1984 to 1995. The first season ended
with The Final Problem, and the second ended with The Bruce–Partington Plans (episodes did not follow the order of Watson’s writings or any chronological order of occurrence).
The play ran between the second and third seasons.
There
will be lots of spoilers below the cut, so if you’d like to experience the play
before reading, please click here for an
audio recording of the original performance in two parts. Unfortunately, the play was never
filmed. Also unfortunately, the audio becomes very poor around 19:20 in the
second audio link. I promise it never gets loud again after that (except an exclamation or two by Jeremy Brett, of course!), so feel free to turn up your volume.
Before I
read The Secret of Sherlock Holmes, I expected it to be entirely in keeping
with the Granada series. It’s not. The series and the play differ in tone and
content. There are no cases, and Holmes and Watson are the only characters. Stories that had already been adapted in Granada turn up in the
play in different forms, but only to serve their relationship. The play adapts
the subtext of the stories, rather than the text, which is something Granada rarely did, and mainly in the later episodes, like The Eligible Bachelor.
In the context of Sherlock, this means that The Secret of Sherlock
Holmes is a greater source than the Granada series was, because
the play was
original in ways that the series wasn’t (perils of being faithful to the surface narratives of the stories).
I’m going to talk about how the play adapted
the Doyle stories, and how those choices are reflected in Sherlock,
because as we know, “Everything is canon”.
The play develops the Holmes and Watson relationship from the time they
meet and
move in together, until some time after Holmes returns to Watson after
faking his death in the Reichenbach. Along the way, they each address
the audience to tell us secrets they keep from each other; the
action (so to speak) culminates in a discussion of Moriarty’s role in
their lives.
Love, loss, lies, and John Watson being pretty damned smart, under the cut.
@juldooz added:
Do I not understand mirror conspiracy? How does Sherlock saying “your
not being John, you’re being yourself” evidence that [Molly]’s a stand in
for John?
Hey there! You don’t even need to take into account how the authors have used Molly as a literary device all through the show to see this one. It’s the sheer fact that they made her utter the line above in the first place.
Think about it.
In that scene, she knows (as well as the audience does) that Sherlock
would rather be working on that case with John, like he always used to. Him thinking of John all the time and straight out
telling her “Why indeed, John!” is the cherry on top. So when she goes “I’m being John”, she’s merely voicing her role as a stand-in for John within the narrative.
She’s the one who told Sherlock: “you look sad when you think [John] can’t see you”. That’s what she always does (whether consciously or not); reveal stuff about our two main characters –same purpose every other secondary character in this story serves.
Now, of course Sherlock’s going to deny that statement. First because she’s literally not John, that’s a fact. She’s one of Sherlock’s few friends and therefore important to him; but John is his ‘special friend’ and she could never be him (even if the creators dressed her up as a man and made her stand right next to John for a rather hilarious visual comparison and then made them have a petty fight over Sherlock like they did in TAB, just to give us a “she’ll never be the real thing” vibe and drive home their romantic rivalry).
And it makes me both chuckle and sigh that refusing to see/accept the obvious truth is an ongoing theme in this show; “not gay!”, “not my division!”, “not your house keeper!”, “not involved!”, “not a plot device!”, “not being John!”. Denial, denial, denial. How ironic for a 130-year-old subtextual gay love story.
Oh, and regarding Molly as a mirror character in the “I love you” scene,
Mirroring in literature is a device for conveying meaning, not a conspiracy. You could, I suppose, read the Molly scene literally (BORING!), or you could read it figuratively. To wit, the coffin deduction (text via Ariane de Vere):
SHERLOCK: Well, allowing for the entirely pointless courtesy of headroom, I’d say this coffin is intended for someone of about five foot four. Makes it more likely to be a woman.
More likely; not confirmed. John is short. He wouldn’t care about the courtesy of headroom.
JOHN: Not a child? SHERLOCK: A child’s coffin would be more expensive. This is in the lower price range, although still best available in that bracket. JOHN (softly): A lonely night on Google(!)
Honestly. Sidebar: this line makes it super clear to me that this is John’s pov–he’s the one who’s spent time researching tiny coffins, Jesus. JESUS.
SHERLOCK: This is a practical and informed choice. Balance of probability suggests that this is for an unmarried woman distant from her close relatives. That much is suggested by the economy of choice.
John is distant from his close relatives. We’re told this in asip. We’ve never had any reason to believe this of Molly. We’ve never had any reason to care.
(While he’s speaking, Mycroft has looked across the room, frowned in the direction of the coffin lid propped up against the wall and now walks across to pick it up and turn it to look at the top side.) SHERLOCK (still concentrating on the coffin itself): Acquainted with the process of death but unsentimental about the necessity of disposal. Also, the lining of the coffin …
Yes, unsentimental about the necessity of disposal could apply to Molly. As a postmortem expert though, isn’t she a little less acquainted with the “process of death” than John is? Hm.
MYCROFT (interrupting): Yes, very good, Sherlock, or we could just look at the name on the lid. (He turns it towards the others. They walk closer to look at it. When he sees what it says, Sherlock sighs and closes his eyes. His face appears reflected in the brass plate which is attached to the lid.) MYCROFT: Only it isn’t a name. (Sherlock turns away. The brass plate comes into focus and it reads
I LOVE YOU
JOHN: So, it’s for somebody who loves somebody. MYCROFT: It’s for somebody who loves Sherlock. (Looking towards his brother) This is all about you. Everything here.
Look, it’s all about Sherlock because JOHN is all about Sherlock. Sherlock is all that John cares about. I mean? Okay this is a particular reading but come on.
(Sherlock walks slowly back to the coffin and puts his hands on top of it at the head end.) MYCROFT: So who loves you? I’m assuming it’s not a long list.
.
We’ve been told from the beginning that somebody is John. The previous episode’s emotional climax involved John in Sherlock’s arms, breaking down as Sherlock comforted him. I don’t know man, John and Sherlock are the heart of this show. Even if you think s4 was garbage nonsense–and I wouldn’t blame you if you did–this throughline is still here.
But hey, take the whole thing literally if you need to. Drink plenty of water though: I hear clowns and umbrella guns have a tendency to be hard to swallow.
Great additions, guys! Since @may-shepard delved into the “I love you” scene here, I’m going to add three more connections between parts of that dialogue and what we’ve seen before, that I find further prove this is all about John.
“JOHN (softly): A lonely night on Google(!)”.
I’ll tell you what else confirms to me that John’s the one who’s spent time researching coffins; A.J. Some might think A.J. from TST only mirrors Sherlock (enduring torture, forcibly away from his family, being betrayed by Mary), but he also mirrors John. He was betrayed by Mary, we saw him drinking, suicidal, spending a lonely night literally googling pictures of ‘Sherlock Holmes’… I bet John did exactly that as well (again, like he did in ASiP) right before googling coffins for himself. Ouch.
And what really does it for me is the character’s name. He’s just ‘A.J.’ You know, like ‘a John’. Remember names are important in this show, mostly in S4.
“MYCROFT: It’s for somebody who loves Sherlock. (Looking towards his brother) This is all about you. Everything here.”
By all means go ahead and say “John is all about Sherlock” because it’s not a particular reading at all, May. It’s a fact that John himself stated in TLD, while talking to himslef, remember? 😉
“MYCROFT: So who loves you? I’m assuming it’s not a long list.”
In addition to Irene outright revealing that John loves Sherlock, we had John’s lovely proposal scene back in TSoT, where his confession of affection –to a certain extent, of course, and with Mary as a buffer– left Sherlock speechless.
So, when Mycroft asked “who loves Sherlock?”, everyone should’ve been able to answer “John!”, because since this story started, by that timeJohn was the only one who ever told Sherlock he loves him.
Holy mother of truth.
@may-shepard – you’re a gift to the fandom. @marcespot – I don’t know why tumblr won’t let me tag you; and thanks for the additions.
I still don’t think I can rewatch this episode, but if I do, I’ll keep these reflections in mind.
Thank you for this @tendergingergirl! – in addition to the religious connotation of “vatican cameo” in ACD canon, we have an actual puppet, or a ventriloquist dummy materialized in the final minutes of TFP…
Which of course brings us all the way back to TGG…
But remember the twitter storm with Kermit the frog right before series 4 aired?
Since I read this meta I can not stop thinking about it @ebaeschnbliah. (JOHN:
Yeah, well some people have that complex, don’t they – an idée
fixe.They
obsess over one thing and they can’t let it go).
I started looking carefully at the Triun Brain because it seemed to me an interesting idea. According to this theory we have three distinct brains, each with its different genesis and evolution, each with different functions, although being structurally and chemically different, they work together. The first, oldest, is R-cortex or Reptilian brain. From him depend the primary instincts of survival, such as feeding, reproduction, exploration, predation, and defense behaviors.
Then there is the limbic system, developed as a ring around the R-cortex. is able to develop adaptive strategies to address the environment. Finally there is the Conscious Brain, or Neo-Cortex. Is the house of conscious thinking and language, formulates strategies and new behaviors for deal whit a new and unexpected situations; is associated with self-consciousness, conception of space and time, the concept of causality, constancy, and synchronicity.
Obviously it was interesting because Mycroft was compared to a reptile, because he’s “i warry constantly”, because pass his time to scan the environment in search of dangers. Because he’s The Iceman, so he have a cold blood. The other two brains could adapt to Sherlock and Eurus in some ways, bringing together the three Holmes Brothers. Even the fact that the three brains had developed in three different moments could bring the concept of three brothers born in different time. However, while the features of the Reptilian brain fit well in Mycroft, they were less suited to the other two brothers, especially considering Sherlock as the middle brother, and Eurus as the most intelligent (as we have been told). In this way Sherlock was to represent the limbic system and Eurus the neo cortex.I imagine, however, the state of Eurus, as locked in a prison, makes it difficult to think that Sherlock (person, not part of the brain) could go around the world and be very intelligent and deductive.
But then I came across in the AMYGDALA.
The Amygdala is a very small gland placed right in the center of our brain. She is responsible for our basic emotions, such as anger, fear and instinct for survival. In most cases it is able to react before the cerebral cortex realizes what is happening. The amygdala causes a raw emotion, independent and not filtered by conscious thought. Emotions, like thoughts, are a product of our brain, is now a proved fact. The distinction between COGNITION and EMOTION between THOUGHT and SENTIMENT that has accompanied philosophical and psychological thinking in previous centuries is now overcome. Emotions are closely interwoven with our cognitive process.
When we become aware of a fact, we are able to perceive clearly the result of this new knowledge (I know/i remember), but we are unable to know how this knowledge came to us. This is because in the cognitive processes there is a conscious and an unconscious part and much of our mental life takes place out of our conscience. The thoughts we develop have to do with cognition but also with emotion. The fundamental difference between the two is that emotions, unlike the cognitions, always have an impact on the physical level as well.
The conscious experience of an emotion, its mental aspect is SENTIMENT and the ability to feel feelings is closely related to self-consciousness. Emotions have a close interconnection with memory, which is formed from an emotional archive. According to Le Doux, our brains model the memories mainly based on the emotion of FEAR. This process is called EMOTIONAL MEMORY.
To demonstrate this theory, he made an experiment called “Conditioning to Fear”. He locked a rat into a box with the bottom traversed by an electric grid. At the same time as a certain sound, an electric discharge was also started. The physical reactions of the rat were visible. It freezes, increased its blood pressure and heart rate. After some repetitions, the only sound was enough to induce the same reactions in the rat. Then the experiment continued with sound repetitions without electric shock. After a while, reactions to the fear of the rat diminished to the point of falling (extinction), but they never disappeared altogether. They remained part of the emotional memory.
The part most involved in the formation of our emotional memory is precisely the amygdala, which is thus responsible and archive of our emotional life. The amygdala can be controlled by the cerebral cortex, but the connections are stronger in output than in the input.
“In its most urgent form, fear can cause some kind of” neural sequestration “, that is, an explosive reaction in which neocortical circuits, albeit temporarily, are eclipsed by the intervention of the amygdala” (Le Doux, 1992).
Definitely to me this sends out crazy Sherrinfordish vibrations …
Eurus as amygdala, as responsible for the most raw and pure emotions. As a custodian of memory, lost because she is was suppressed.
MYCROFT (looking
at him):
Memories can resurface; wounds can re-open. The roads we walk have
demons beneath …
MYCROFT:
You do remember
her, in a way. Every choice you ever made; every path you’ve ever
taken – the man you are today … is your memory of Eurus. (x)
Sherrinford with his audio warnings and experiments, seems to be an attempt to awaken fear, a Conditioning to Fear. To bring back memories lost, because Eurus has the memory of Redbeard (sooner or later we will understand what the hell he is … I trust in the dog’s meta @sagestreet)
There is also the fact that even all three of the villains in history, Moriarty, Magnussen and Smith are somehow connected to Eurus or her manifestations.
We have Moriarty who meets her in person.
Magnussen who is like the therapist. He knows the secrets of people, has gray hair, glasses without frame, an accent, and even the same rug.
Smith is even the father of fake Faith.
Like any villain is the direct representation of a Sherlock’s fear.
Eventually Sherlock faces his fears,he becomes conscious of his emotions, ignored, locked because they are “crack in the lens (etc ….)”. Sherlock has always been emotional, incandescently emotional, and his heart (Mrs. Hudson) this knows. What he has never done is to be aware of his emotions. Once he is able to do so, only then,he can develop a correct SENTIMENT.
@raggedyblue ah thank you for this! I can’t remember if I commented on @ebaeschnbliah‘s original post, but I think Vermissa Valley of The Valley of Fear may be referring to the cerebellar vermis – and with all the brain scans at Sherringford, the shattered busts of Thatcher (bashed-in heads), both Moriarty and Magnusson’s heads were supposedly blown cleaned off…… fear and stimulus; that’s how it works 😱 (although I tend to be more optimistic in my reading of Sherlock and John, heh)……
Why was the ‘hound’ of the ACD!canon story title turned into the plural ‘hounds’ in the title of the episode THoB?
I’ve seen a few explanations for this change (cf. this comment by @raggedyblue (and @ebaeschnbliah) under a post of mine) according to which the two dogs represent John and Sherlock, the two loyal companions in love with each other. Personally, I don’t think this is the case. I think there’s a different reason for the use of the plural ‘hounds’ in the title. (Although with a multilayered show like ‘Sherlock’, who knows…Both explanations could be true at the same time. Mine doesn’t have to be the only accurate one.:) I’m just tossing a few ideas around here.)
So, why this change from ‘Hound’ >> to ‘Hounds’. Why is there a plural? And why are we shown two dogs (not one!) behind Speedy’s shop window at the beginning of THoB? What do these two dogs represent? Why is it important that there are two of them?
Remember what Sherlock tells us (and himself) at the beginning of TAB?
To solve a case, one must first solve another, a much older case.
@ebaeschnbliah once pointed out to me that what Sherlock is talking about in TAB is more than just the connection between the Moriarty case (new case) and the Emelia Ricoletti case (old case).
She pointed out, accurately, I think, that subtextually the new case Sherlock has on his plate is the How-can-I-be-in-a-(gay)-relationship-with-John case, while the older case is the What-happened-to-me-in-my-past case. The new case is Sherlock’s homosexuality, his love for another man (John) and the question of how they can both declare their love for each other and be together. The old case is Sherlock himself; the repressed memories from his past. It’s whatever trauma was buried in his past (possibly his childhood).
These two cases that Sherlock mentions in TAB, while connected, are still essentially two separate cases. To solve one, you must first (!) solve the other (older) one.
So, there is a strong connection between the two cases, but they have to be addressed separately. In other words, if Sherlock just tries to solve the new case by declaring his love for John, and doesn’t deal with his own past, it won’t do. He won’t be able to solve that new case if he just ignores the trauma of his past. He has to dig up that shit first. He has to actually deal with it.
Two cases: Sherlock’s homosexuality in the here and now. And Sherlock’s trauma in the past.
These two cases are actually the core of the entire show. They are what it’s all about. These two cases have to be solved.
So, what if these two cases (the new one and the old one) are represented by the two ‘hounds’ in the title of THoB?
Let me explain:
I think it’s crucial for the understanding of THoB to keep in mind that there are actually two (!) dogs in the episode itself, not just one:
There’s the monstrous dog that everyone is afraid of (and that later turns out to be imaginary and, most importantly, induced by a hallucinogenic gas).
And there’s the actual, real dog that belongs to the (gay) inn keepers.
So, two dogs, yes?
And while these two dogs are connected in many ways, they are essentially two separate entities in the episode’s subtext.
Now, what do these two dogs represent? And why is this so important for John and Sherlock?
(More about Churchill, dogs and cases under the cut…)
The Lying Detective – MAGNUSSEN IS DEAD, BUT MARY KILLED HIM, NOT SHERLOCK.
So one thing that’s definitely going on here is that with only one tiny exception in TST, the audience is being gently coerced into forgetting that Mary shot Sherlock in HLV, ready for that giant ass rug pull where we go back to that moment that marked the beginning of Sherlock’s coma-induced morphine dream or whatever the hell it is we’re witnessing. But I don’t think the rug pull will JUST be that Sherlock has been dreaming. I think there will be another surprise.
Right, so onto the second part of my idea. Talk about leaving things to the last minute. As I type this, it’s 8.5 hours until TLD airs.
So if you’ve read the above meta, you’ll know that I think Mary shot Sherlock AND Magnussen in CAM tower that night, then Mary left, leaving John to become a suspect in CAM’s murder, while Sherlock remained in a coma in hospital. Without Sherlock as a witness, John Watson is definitely in danger.
There’s one more thing that could happen to tie this fanciful theory together. It takes us back to the details of Sherlock’s last three seconds of consciousness and the deduction that Molly and Anderson helped talk him through.