The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

The thing we desperately wanted to avoid was that Mary was a drag on Watson. We felt that the woman who marries Watson and becomes part of the Baker Street arrangement couldn’t be ordinary.

Mark Gatiss talking about Mary in S4 – (x)

Uhhh… she was literally nothing but a drag. Who shot the title character, burdened John with her entire criminal past & present, attacked anyone who tried to help her, and saddled her own infant – in a classic trap the dude with a pregnancy it seems they did not plan or discuss beforehand – with the name so dangerous she left it behind, herself. Who was such a manipulative, gaslighting, unremorseful, unapologetic piece of work that John was actively looking for a bus to throw himself under rather than go on being married to her. Bravo. Not a drag at all! 👏👏👏

(via silentauroriamthereal)

By ghosts of the past we mean consequences. There are consequences to the kind of mad cap in-the-moment fun lives that Sherlock and John and Mary lead. There are things that have happened, there are enemies that they have made, there is damage that has been done and some of that is coming back to visit them. There will be surprises and when some of those surprises happen you’ll think “ah I should have seen that coming”.

Steven Moffat interview on series 4 – (x)

What do you mean when you say ghosts of the past are coming back?

(via nixxie-fic)

That’s totally what I thought the second we arrived at Sherrinford and the red lights started flashing and the three Garridebs were dangling outside the window and the crazy queer mad genius sister started writhing against the glass and the tranq darts flew unerringly out of the wall and John ended up in a well with the bones of a dog who turned out not to be a dog at all and then Sherlock hugged his sister and the chains dissolved and all that time, I could not stop thinking those exact words: “Ah, I should have seen that coming.”

(via hubblegleeflower)

We can actually trace back where series 4 begins because it was raining when we were shooting His Last Vow… so we went and sheltered upstairs with the accountants on the production bus and we just started talking about the story of the sibling.

Steven Moffat, Writers’ Chat S4 feature [x] (via roadswewalk)

It was a rather boring one in retrospect. It was clever — Molly was actually trapped inside the coffin and they had to solve a puzzle to get her out. But while it was a clever puzzle and we liked it, we were the only ones who liked it. It was just another puzzle and it wasn’t something Eurus would be particularly interested in putting Sherlock through because she’s more interested in the emotional then why he’s clever. So we scrapped it and I’m glad we did because I rather like the replacement scene.

‘You’ve said you originally had a completely different scene originally for that Molly sequence that you scrapped, what was it?’

Steven Moffat Interview – (x)

Sherlock’s quite a small world, actually, so we can’t do everything in that. But to take the other show… Doctor Who, I think, can do more, and should do more. And we’re working harder every year to try and get that better. But the perspective that I always look at is that I don’t think about it – and nobody should think about it – as ‘satisfying the activists’ or ‘satisfying the pressure groups’. That’s not what’s important. What you’ve got to be saying to children is that you are all welcome, and that there are loads of people like you, and you all belong out there in this space, in the future, and that’s what matters. The ticking boxes exercise is never going to work, because it ends in what you call tokenism.

Steven Moffat asked ‘How do you deal with treading the line between representation and tokenism within the show?’ (x)

Saying it again bc it’s more appropriate on this quote –

So if it ended with bad female characters, and bad gay characters and a big gay gun over the mantel that never went off, and the aces are pissed about “romantic entanglements,” and the neurodivergent folks are upset at how both Sherlock and Eurus were handled, and even the dogs in the audience are barking about dog erasure, then what are we looking at as an “improvement?” Hudders got more lines in t6t?

They literally could have done better even in this “small” show without sacrificing any “plot” or making anyone feel like they were “checking boxes.” For god’s sake, we DON’T want you to check boxes, we want you to UNcheck a couple you didn’t need. Leave out one line, for example, don’t make Eurus queer and rapey; done. And tell me, where has the show lost any integrity without that?

There, that one’s free, off you pop and do better now, boys.

(via violet-vernet)