lol this belgian DVD reviewer was apparantly super angry at season 4 too. Translation to this photo caption: “Sherlock apparantly replaces his memory of people with dogs. Who this little friend is, we might find out next season” 😂😂
“Gatiss and Moffat may just have done what Moriarty never could, and finished off the marvellous character of Sherlock Holmes.”
#if negative reviews of sherlock make you sad don’t read this one
Agreed! But
if negative reviews of TFP make you feel justified in your upset and you enjoy witnessing a good skewering, DO read this one because its savagery is unparalleled:
Never have two writers been more intoxicated on the fumes of their own shallow talent
…
Unbelievably, it got even worse.
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should have come with Sherlock-branded sickbags.
I wondered what run-of-the-mill, no-skin-in-the-game TV critics said about S4. This gives me some solace. I mean *I* know it was a mess, but I wondered if uninvested parties also saw a mess, of whatever sort.
I have friends who write film crit (I’ve written some stuff for/with them) and I am forever mad at first S3 and then S4 for embarrassing me in front of my critically-minded friends
Let’s talk about the inexplicable ‘Sherlock’ subplot where John Watson sexts a random woman he met on the bus.
As a dreary story about an unpleasant man having a midlife crisis, it’s perfectly typical: a tired, middle-aged father strikes up a text-based relationship with a younger woman, but ultimately decides not to follow through. But as an addition to John Watson’s characterization in ‘Sherlock,’ it’s catastrophically inappropriate.
It’s hard not to see this subplot as a transparent example of middle-aged male wish-fulfilment. Apparently seduced by the sheer animal magnetism of a 45-year-old man who embodies the word “average,” an attractive young woman approaches John Watson on the bus and gives him her phone number. While not impossible, this scenario is a thoughtlessly bizarre role-reversal of the sexual harassment women experience on public transport. Then, there’s the fact that John is actually receptive to her advances, texting another woman while he lies in bed with his wife. We’re left with a thoroughly unlikable version of Watson, who will spend the next two episodes stewing with guilt about his not-quite affair.
I was just thinking about this with the gifset about John and his ongoing misunderstanding or projection onto Sherlock, which came to an end in TLD (well, it’s more like it crashed and burned violently, really). And just as John thought Sherlock wasn’t ‘like that’, many viewers thought John wasn’t like that either, in a different way. As the article says, he’s ‘not that kind of dick’.
I realize I just answered the question of why Eurus had to text John recently, but it occurs to me that the real issue most people have is why John had to text Eurus. Of course, John has that issue himself, and John was doing the soul-searching and angsting himself– so he realizes it’s ‘out of character’, or the character he’d like to be– and surely, the whole point is just that he’s human. Sherlock is also human. That’s the whole point. The purely, absolutely loyal John Watson was never the reality.
This is clearly something that the fans have a really hard time with. I can empathize. We all have our hard limits, things we can and cannot accept about others. Perhaps it’s impossible to truly rationalize it, even in fiction, or perhaps especially in fiction. Like, for example, I can accept John no matter what, but I have more of a hard time with Mary and sometimes with Sherlock’s reactions. As I told Ivy recently, his absolute acceptance of the blame John heaps upon him after Mary’s death (and his acceptance of the shooting earlier) is really hard for me to accept or even fully understand. Clearly, I mean, Sherlock has really different standards of what he can accept from the people he really loves.
Maybe it’s just that Sherlock (unlike Mary, unlike John, unlike fandom) sees John truly, and isn’t surprised. That’s why he’s not angry or resentful after John rejects him so radically in TST: as @ivyblossomtold me earlier, Sherlock accepts and understands John just that much, that deeply, that radically. To Sherlock, John is a ‘loaded gun’, and he knows exactly how far John can go and exactly how much John can hurt him. How much John has hurt him in the past. So he simply makes the decision that John is worthwhile. He even agrees with John that he deserves it in the morgue scene, which I don’t agree with, but my point is that Sherlock is always with John even during the time that John isn’t with him. He knows that it’s not John’s loyalty that broke but John himself.
Fan (especially female fans’) reaction to John’s texting affair takes it a bit personally, I think, and treats the situation a bit like John had betrayed them, or their own image of him. This is definitely why I still disagree with @unreconstructedfangirl’s insistence that there’s no evidence Mary idealized John. It seems to me that everyone but Sherlock (including John!) has idealized John, maybe without even realizing it. Not in an extreme, obvious way. More of a well-meaning, admiring way. No one said John was absolutely extraordinary like they’d imagine Sherlock to be (except maybe Sherlock, actually), but he’s loyal, he’s a good man, he does love Mary– stuff like that. Of course, even people who could see what a disaster Mary and John’s marriage was tried to justify John and Mary continuing with it, either by saying John had a plan or Mary’s just waiting for John to wake up and smell the coffee. In reality, it was a case of both of them deluding themselves. It’s not really surprising that John snapped. No one could be perfectly loyal to a partner who’s already betrayed them, after being pregnant with a child neither wanted, and having to go back and try again after adding the caveat that one is still angry. The frustration has to go somewhere. He can’t even complain, because Sherlock is Mary’s friend too, and encouraged him to go back to her right after revealing it was Mary who shot him. ‘Mixed messages’, indeed. Repressing all that– anyone would crack. John is human, isn’t he?
Likability, of course, is a tricky affair. I was just talking about this in regards to Mary’s storyline: in my opinion, the way the narrative unfolded with Mary– primarily the lack of obvious consequences for her (excepting her relationship with John, which isn’t narratively acknowledged as being Mary’s fault), and the use of her as a constant mirror and conduit– made her character ultimately unlikable. But at the same time, that’s just my opinion, my response. Obviously, this isn’t the intended response, and nor is the response of plenty of people who see canon Johnlock. This is just an issue of expectations and needs, which has a complicated relationship to the actual story. As I said, I’m aware we’re supposed to like Mary, and I enjoyed a lot about her character, but I can’t fully overcome the issues I have with the portrayal. That’s a valid response to John, too, even if I didn’t have any issues relating to him or accepting him, and you could even argue John didn’t face enough consequences from Sherlock, either. So there’s a similarity there. You could argue there’s no actual reason to accept John’s humanity in TST but resent Mary’s portrayal in the same episode. You’d probably be right. In the end, though, just like the characters– we’re all only human.
While Sherlock and Mycroft Holmes exist within a vaguely plausible spectrum of human intelligence, their sister is essentially an X-Men villain. Her intellectual powers are tantamount to magic, including the ability to hypnotize the entire staff of a high-security prison.
In a fascinating example of ‘Sherlock’ being more Victorian than its Victorian origins, Eurus also ticks every box for the kind of madwoman who gets locked up in an asylum in a 19th century melodrama: pale skin, unkempt hair, unpleasant sexual appetites (she’s implied to have raped and mutilated a prison guard), unspecified mental illness, and hints of supernatural powers. And, of course, all her crimes were motivated by a desire for male attention.
The X-Men villain comparison here is telling of what has always been one of Steven Moffat’s creative failures: his inability to imagine how such a thing as a female genius might actually exist. Here, he can only conceive of her by rendering her essentially supernatural, at the same time as he suggests she is unnatural due to her failure to correctly perform the social and emotional labor expected of women. (This is also often the root cause of the 19th century imprisonments noted above, which can frequently be read as a policing of women’s emotional performance.) Irene Adler, the other female genius of Sherlock, was a similarly “unnatural” woman whose deviance manifested itself as a failure to be correctly perform “womanliness”— most notably through a lack of appropriate interest in men that was then “corrected” so that she could be ultimately redeemed. (Irene was also, of course, as unrealistic as Eurus in her way: female giftedness imagined as sexual fantasy.) The implicit message in both cases is that high intelligence is itself unnatural for women. Here, it not only leads to hints of sexual perversion, but also to the destruction of the heteronormative family’s “natural” bonds— and to suffering and mental ill-health for the female genius herself, a literally prodigious creature who appears straight from the very Victorian obsession with medical monsters (particularly given her hospitalization since childhood).
In another sense, the evocation of Marvel is slightly unfair to Marvel, which has a better track record than Moffat on this issue. (And when Marvel has a better track record than you do, it’s time for self-examination.) At the very least, there are some female geniuses in Marvel who aren’t portrayed as sexually and emotionally unstable, or as rendered dangerously unnatural by their intelligence! Not that many, it’s true, but there are a few…
The best articulation I’ve come across of my issues with Moffat and writing female characters. And Eurus really did seem to be peak Moffat in regards to his issues with writing women.
Great, we’re back to it. We’re going to see Benedict Cumberbatch again, and Martin Freeman! And they’re going to be reprising their characters, which we haven’t seen for so long, it’s gonna be so great, they’re gonna be super-sleuthing all over the place, and solving crimes! No. What we got instead was ‘The Many Adventures of Mary Watson and Her Sidekicks: Hat-Boy and Husband’.
Want to share a few casual viewer reviews of s4. It’s certainly not just the johnlock community that hated everything. The TV Junkie is hilarious [his comment at 7.58 made me giggle]
But this second one is the BEST. He doesn’t know much about canon or Holmes/Watson, but James Murgatroyd is just so pissed!! We all need to take this guy out to a bar and have fun with him. He is sooo on our wavelength about Mary. Watch!!!!
LOVE THESE!!! The first guy is so heteronormative but his thought on TFP are so cathartic and on point, love his comments about consequences. The second guy IS MY FAVOURITE and I want to be his friend. His TFP thoughts are blegh, but his Mary Watson rants are A++++++. Both of them on Mary is so great. Oh these videos are great, thanks so much for sharing!
thanks for sharing these, they are both great! It’s so validating to see that guys with zero investment in John/Sherlock romance, also hated the same things about the episodes that I did.
Exactly!! The main reason I posted them.
okay these are both great for their own reasons but holy shit james murgatroyd hits the nail on the head so hard with his review
Don’t 100% agree with all her conclusions, but she makes a lot of great points.
It’s interesting that even non-shipper fans are noticing how the ‘no-homo’ shift has damaged the show. When your lead characters are so gay for each other that they can’t be allowed alone together without a chaperone but you insist they’re both super straight….you might be queerbaiting.
I really appreciated how she wrote this, rhetorically, because it really mirrors what S4 does and feels like, keeping Sherlock and John apart And being so OTT. TLD and TFP are so hard to accept rationally, whereas earlier you could more easily suspend disbelief.
I don’t believe the audience is meant to *really* see Irene as a serious love interest (because omg seriously) but the mentioning of her is definitely a no homo thing, especially since in that scene Sherlock can’t even truly rebut or speak because he lets it be about John. That they bring up Irene makes me see red. I want to believe that the audience would react to John saying this to be “omg John NO you idiot!” but I may be overestimating the audience.
…“In the early 2000s, Steven Moffat and Mark Gatiss decided to adapt Sir Arthur Conan Doyle’s Sherlock Holmes books into a television series. Immediately they were faced with a creative choice. How should they deal with the prevalent queer interpretation of their source material? Should they make Holmes and Watson romantically entangled? Should they ignore the queer reading of the story entirely? Should they leave it up to the viewer?”
YALE? WE MADE YALE?! This sooo sounds like a Johnlocker, but whatever. It’s a great article, with Queer Lit suggestions.
So this is a really awesome link I just found, and I’m curious if it made the rounds on here when it was published last April? (I joined the community in late summer so I’m not sure XD)
For being a mainstream article, I’m really surprised that 1) it didn’t bash tjlc as being just crazy Johnlock shippers and 2) it explains tjlc extremely well and makes a case for it!