Do you know why so many disliked season 3 of Sherlock? I personally loved it because of the character development, but I guess Mary played a part? 🤔 Thanks Steph! Have a lovely day :)

impossibleleaf:

sarahthecoat:

inevitably-johnlocked:

Hey Nonny!

Honestly I DON’T because I LOVE S3 – it’s my favourite season – but I DO think it’s because Mary plays a huge part of it. S1 and S2 was a lot more Sherlock-and-John, a lot more adventure oriented, a lot more just the two of them… and it was all from John’s POV, and I think a lot of people misread Sherlock’s character and hated the way they softened him in S3 when he always was a big softy. See, I love S3 because it is from Sherlock’s POV and we get to see his inner complex thoughts and workings, and we get to see just how much he adores and idolizes John (I mean, John is just SO GORGEOUS in S3, and I think that’s because the camera is supposed to be from Sherlock’s POV, so John in turn looks beautiful). That would be my guess; I think they also believe John’s character changed, whereas I don’t believe he did at all – because we’re in Sherlock’s POV, we’re seeing how SHERLOCK perceives John, but he clearly picks up on John’s admiration for him (TSo3 and TAB are the most obvious).

But yes, I do believe MARY is the BIGGEST point against S3, and in the wake of S4, we’re seeing just how pointless her role and characterization was in S3 since they literally did nothing with it at the end of it all. They were building her up to be an interesting exciting villain and in the end nothing came of it.

I dimly recall enjoying watching the episodes the first time, at my friend’s house who had a tv. We laughed and gasped and squealed in probably most of the right places. But immediately afterward, we started noticing all the things that didn’t make sense, and the “plots” collapsed like houses of cards. So that was annoying and frustrating, and only some of that was “fixed” by meta analysis.
TEH was packed with fake lying BS from one end to the other, and ymmv but i don’t enjoy that. TSOT was trying to come off as a wacky rom-com or something, but “mary” is just creepy, and sherlock is clearly heartbroken, so, no. HLV, i never wont to see again. SUPER creepy/rapey villain, the absolutely nonsensical shooting (s) etc, again, just NO. I wasted my money on the dvd set, learned my lesson there: do not preorder. Did not make that mistake again.
“Mary” is definitely a big part of what ruined s3-4 for me, but not all of it. I nearly liked her for two whole weeks. A bigger factor was feeling disrespected as a fan, the nonsensical “plots”, the all hurt no comfort, and the simple lack of enjoyment on the part of the CHARACTERS. Gone were the moments like giggling in the 221b foyer, the “OH” and “brilliant!” and making each other smile and laugh. There was just nothing to savor, the way there had been in s1-2. I get that some people love angst, and I’m happy for them, but i can’t do it unmixed with any resolution. Sherlock being a “softy” is not a problem, he already was.
I wish they had wrapped up “mary” within s3, rather than dragging her thru TAB and s4. Personally, i would have rather spent the time on sherlock and john, their back stories, their relationship, and slightly more plausible cases. Just, a more coherent story would be nice, rather than random chunks of six different WIPs.

I used to love Mary. Then HLV happened.

Mofftiss asked far too much of us. He wants to do a River Song 2.0 but this falls flat. I was told, no, ordered to forgive her for shooting Sherlock. They needed us to believe that she was surgery and at the same time implied that Sherlock never was in any danger.

So what? Moriarty telling Sherlock how he’s going to enjoy death, that meant nothing because he never was going to die? Sherlock punching the ground to start his heart again, that was just him being overdramatic? After all, that was surgery, he didn’t need to do it. So, he didn’t choose to live because he thought John was in grave danger because of that wife?

I would have reluctantly bought the surgery thing if Sherlock hadn’t had thought for 10 whole minutes that the way he needed to fall would change whether or not he’d survive this bullet wound and if he hadn’t crawled his way back to life after the doctor gave up on him.

And what Mary did spoils everything she’s done until then, doesn’t it? And she goes after Sherlock with a gun ready, looking after him with a look that is made to remind you of a hitman on a mission. We spend a third of the episode, the heart of this episode, honest to God thinking she’s going to kill Sherlock.

I could, somehow, have forgiven her. But they should have done it immediately afterwards.

Like, by doing something like that:

They do not drug Mary with the tea. She comes with them, because she is the one being blackmailed and she has her agency. They go to Magnussen’s office and he taunts them (while being reluctantly shifty of Mary but apparently being pregnant and having no gun on youself makes you harmless).

They follow Magnussen and her face literally looses colour when she realizes he has no documents and everything is in his head. She internally freaks out whenever he tells John something about her past because, God, what if John changes his mind?

And he starts flicking his face in front of her and she realizes that she’s put him in danger. That Magnussen can call anyone and they’d go killing her husband and her daughter.

So, when the helicopters start coming, she takes his gun and finally kills him. She tells John and Sherlock to get away from her, that she’s sorry to have put them on this mess and asks John to take good care of their daughter. She says that she did try to kill Sherlock because she’s known about this chain of pressure points business and she just wanted to break the chain and not turn John into a pawn, but she’s sorry. God, she’s sorry because she likes him but she wanted to protect John. Please forgive her, she’s never wanted her past to become their burden.

And she goes on the plane, because she too is too clever to go to prison. So she asks for Sherlock to look after John and the baby who’s now born. And the Moriarty video appears when she’s taken off.

And Sherlock tells Mycroft he’ll only help them if Mary comes back.

Had they done that, I would have cried like baby and forgiven everything.

But I suppose their idea was better than mine.

Faints and Feints: Granada “Empty House” vs. Sherlock “The Empty Hearse”

plaidadder:

So, very belatedly, I just finally watched the Granada Holmes “The Empty House,” with Jeremy Brett and Edward Hardwicke. As followers of the Granada rewatch will know, I quit watching the first time around after they changed Watsons following “The Final Problem.” I will do a separate post that’s just about that episode soon. But first: I could not help but watch “Empty House” with “The Empty Hearse” in mind. Gatiss at least must have been a Granada Holmes fan, so I know he had “Empty House” in mind when he was writing “Empty Hearse.” (Indeed, there are specific things in “Empty House” that I think show up in TRF/TEH, such as the framed print of the Reichenbach Falls hanging above the mantel in 221b ( –>the oil painting of same that Sherlock is supposed to have helped recover in TRF), the champagne celebration with Mrs. Hudson at the end (–>champagne celebration in 221B with Mrs. Hudson, Lestrade, and Molly and her new boyfriend). And yet, I think when you put “Empty Hearse” up against “Empty House,” it reveals some interesting things about why Sherlock went off the rails after the hiatus. (If you don’t think it went off the rails, you might not enjoy what’s coming up very much.)

The short story is: there’s good and bad in both adaptations. But in “Empty House,” most of what’s bad was more or less unavoidable. In “Empty Hearse,” the bad–or at least what I consider the bad–is deliberate. “Empty House,” like the canon story it adapts, basically resumes Holmes and Watson’s pre-”Final Problem” relationship. “Empty Hearse” inaugurates a completely new one–one which, even within the context of that episode, doesn’t make a whole lot of sense.

Keep reading

hockeybella25:

consultingdragoness:

makokitten:

I think, upon rewatching TRF a billion months later, my favorite thing about this is that in the montage, every single other person informed of something unpleasant (the security guard/the banker/the man at the prison) spills his coffee as the situation dissolves.  But Lestrade?  No sir.  Not only does he not lose his head because break-ins aren’t his area, but his coffee has a lid.  A fucking lid, motherfucker.  No unnecessary spillage for this HBIC.

Lestrade, motherfuckers.  Keeping it real, keeping it clean.

That is literally the best analysis anyone’s ever done about this scene

obotligtnyfiken:

Order of events in BBC’s Sherlock

If you want to see the whole flowchart in one image, download it here.

Creating this flowchart has required me choose what to include and what to leave out. If you think that I have missed something, I’d be happy to hear from you, but please read the comments first, in case I had excluded that information for a ­reason.

This project has been made so much easier thanks to the Sherlock timeline at bakerstreet.wikia.com and the wonderful transcripts by @callie-ariane. Go look them up at arianedevere.livejournal.com!

Thank you to my wonderful proof reader @wetislandinthenorthatlantic!

I have completely lost track of who is discussing what in the aftermath of s4, but I’ll tag a few people under the cut anyway, hoping that you are interested. Let me know if you don’t want to be tagged in the future!

Keep reading

hubblegleeflower:

monikakrasnorada:

monikakrasnorada:

annyskod:

HE DID THAT

WITH HIS TINY SOFT HANDS

FOR JOHN HAMISH WATSON

Omg. I know I just reblogged this post, but I just noticed the TINY FLOWER CLOTHESPINS???? OMG. SOMEONE HUG HIM THIS INSTANT!!!!!!

Always reblog the sadness of this, and read what became of Sherlock’s heartbreaking crafts project: http://archiveofourown.org/works/4014856/chapters/9021904

I am not one to tell someone else the way they should be enjoying this show and peace and love to all of you but hOW DOES ANYONE THINK THIS MAN IS STRAIGHT.