aside from the the fact the shooting scripts are obviously not written-in-stone documents of “finality” in any way, Moff and Gatiss have always talked about how they fill the scripts with handwritten notations and directions as shooting progresses, so take from that what you may.
a little louder shooting scripts are obviously not written-in-stone documents of “finality” in any way
and also, directors exist, and so do things like logistics and improvisation
so
not every difference between script and screen is evidence of deception
not every difference between script and screen is due to the actors
some nuances on the page never translate to the screen, and some nuances on screen can never be captured on the page
comparing is fun, but most of what it reveals are just artifacts of the process