callightman:

every shitty thing they ever did. the shit they did to irene adler in asib – making her a lesbian dominatrix who walked around naked for no reason, making her lose, making her have to be saved by sherlock – everything they did to john’s role in hound of the baskervilles, that time they made sherlock holmes shoot their equivalent of milverton when holmes never shoots a person in the whole canon on purpose, every shitty thing they ever did to the stories i hold nearest and dearest to my heart, all of those things were for fucking nothing. they just don’t understand them. they’re just like every other shitty old white gross man who doesn’t get it, who condescended to me at a convention, who’s just in for the cleverness and not the heart. well fuck you both. those stories are mine, and this doesn’t take them away, because you did a shit job with them anyways.

marcespot:

just-sort-of-happened:

Okay but this ^ doesn’t make sense because you can smell people and Sherlock smells EVERYTHING.  Sherlock smelled The Woman from the hallway of his flat when she was in his bedroom in ASiB.

He can’t stand this close to her and not know.  Nope,

In the next scene John is knocked out, then we see Moriarty arrive and he inhales deeply and says, 

So, like, Moriarty can smell people as soon as he gets there but Sherlock, with the sharpest nose on the show, cannot smell a woman who is speaking directly to him from, like, one foot away?

Add to the list of thousands of wtfs

bbcatemysoul:

i will literally never in a million years accept that a woman who concealed her identity and her entire past from her husband pretty much until she died and who literally tried to kill the main protagonist twice, is supposed to be the person who just Knows and understands john and sherlock better than anyone else alskdjflskdjflsdj

like this ending that should make me happy because john and sherlock are together as a unit and raising a child together, makes me want to vomit because mary is narrating it like she has some claim on them when she was literally

a fake and a murderer who literally never shared a moment of genuine affection with her husband and who literally was only able to be in john’s life to begin with because he thought the love of his life was dead

i’m

skulls-and-tea:

sherlock’s written-over memories didn’t even actually involve redbeard-the-dog being put down so uh ????????? @ HLV’s mind palace

Honestly wtf. Did mofftiss even watch their own show? Did they even write it? Did a band of monkeys write it for 6 years and got lucky up until this point?

Easy fix: mummy and daddy Holmes knew about Eurus and what she did to Victor. Victor stops coming around. (His parents and the Holmes family discuss what tell Sherlock). Mummy and daddy Holmes tell Sherlock that Victor moved away. Eurus sings her song that’s the clue to where he is. Sherlock thinks something else happened to but can’t put his tiny finger on it. He’s a child, maybe 7, and he can’t handle the possibility that his friend was killed. So he changes Victor to redbeard who was put down by his parents.

That took me 10 seconds to think of and 2 minutes to write out.

I’m at a loss for how poorly done TFP was done and this just takes the cake

ayryn-art:

| Facebook | Instagram|Artstation | dA | Twitter |

So, after this huge pile of shit that was TFP I am gonna make a bunch of these, cause I need to laugh after what they did, and I want you to at least laugh with me a bit, yeah? ❤
If you have any request please tell me and I’ll draw it cause there are like a million incoherences and shitty stuff in there.

Please stay strong I LOVE all of you who belong to this fandom ❤

Part 2

Keep reading

A Lesson in Following Through

thatswhatgeeksdo:

Alright, everyone likes to do something new, but there are certain rules to writing. And you can ignore these rules all you want but then you run the high risk of getting called out on for bad writing. Which I’m going to have to do here. These rules exist for a reason. 

If you put a gun on a wall, it needs to be shot at some point.

If you have a character getting shot as a cliffhanger to an episode, then the next episode needs to engage and explain what happened, not gloss over it.

If one character gives another character a secret letter, that letter needs to come back into play, whether the written words are revealed or not.

If your own characters reference a relationship over and over again, that relationship needs to be addressed fairly and accurately.

If a character makes a decision, that decision needs to be acted upon.

If one character beats another half to death, that beating needs to be addressed and dealt with. 

If you address a character as a child over and over again you can’t suddenly ignore that and make them an adult.

If you decide to write a baby into the show, that baby has to serve the plot and do more than just essentially get her own mother killed

If a character gets shot in the chest by another character than that’s needs to be addressed in a realistic and believable manner.

If you state in your show what it’s like to be shot by a gun, then you follow through on your own set of rules if any other shootings happen in the show.

If you say a character needs romantic entanglement to be fulfilled, you need to have romantic entanglement for that character or address why it isn’t happening.

If a character is chained to the bottom of a well, don’t let him be pulled up by a rope.

If two characters end up in the middle of an explosion, they have to have injuries and repercussions.

If you explicitly state themes in your own writing, stick to these themes.

jamesmoriiarty:

johnlock2013:

Im sorry but what?? They have like the best friendship in the world???

WHAT THE FUCK IS GOING ON!!!??

It’s the Daily Fail, what do you expect? Someone somewhere is trying to pin the terrible ending on someone and they clearly don’t want to pin it on mofftiss. Cause obviously, it’s the fault of the actors why the episode and arguably the entire season was sub par.

enigmaticpenguinofdeath:

ad-iuficium:

Let’s take a minute to appreciate Mycroft’s tie. I don’t know if anyone noticed but when Moriarty showed up 5 years prior and all that,Mycroft sitting in that chair was wearing a bright-blue colored tie full of little yello brollies! I loved that tie bit nobody will talk about it.😢

I think it might be the same tie from way-back-when in The Great Game which first kicked off umbrella-tie rumours.

It’s not umbrellas though – it’s actually supposed to be a goose.

@skulls-and-tea SO apparently they can keep a tie from 5 years ago….

Sherlock recap: series four, episode three – The Final Problem

themuller13:

“Why did the Joey spinoff from Friends never work? Why was Top Gear imminently watchable while The Grand Tour is imminently dire? Because just having a great character isn’t enough. You need to give them boundaries – try to make them work within a set of rules that rub up against them. It’s the mundanity of everyday life that makes Sherlock so fun: if you take him out of Baker Street and put him in this almost imaginary world, it just doesn’t work as well.”

Sherlock recap: series four, episode three – The Final Problem