Any art majors/Arwel Jones fans out there want to take a stab at explaining that creepy as fuck painting that looks like a blond version of The Ring girl staring daggers into John’s skull throughout this scene?
Poked around on Google. (Looks like) it could be this painting:
Cherry Ripe, John Everett Millais
That is most definitely “Cherry Ripe”. Interesting. Completed in 1879. Looking up other terms and usages for the words “Cherry Ripe” turned up some interesting things…
first off this poem, which goes along with that “starring daggers into john’s skull” phrased.
But then there’s THIS lovely thing, which is directly linked to the photo:
This part in particular struck me-
Campion uses metaphors and similes to compare the lady to the splendors of nature. Roses and cherries are repeatedly used to describe various parts of the lady, like her rosy cheeks and luscious lips. Her teeth are said to be made “of orient pearl a double row” . The white of the pearl, the lilies and the snow build the image of a woman of purity and good quality. This perception of the lady as a divine creature is emphasized by the many references to heaven. Her face is seen as “a heavenly paradise”, her eyes are “like angels”, and her lips are called “sacred cherries”. They are a forbidden fruit, similar to those of the Garden of Eden, that no one may touch or even look at “till ‘Cherry ripe!’ themselves do cry”. The lady is viewed to be unapproachable unless she gives her permission to be approached. She seems cold and unfeeling when her brows are described as “bended bows” ready to kill with “piercing frowns”, so it is likely that she does not give her permission easily. This woman cannot possibly be as godlike and perfect as the speaker makes her out to be, which causes this poem to feel strained and false.
The false admiration in this poem shows the reader that society has a specific idea of beauty which is impossible for any woman or man to match. Campion’s poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance.
We know John has a thing for Sherlock’s beauty (“you and your cheekbones”) and that he’s only known Mary for a short time (perhaps due to physical attraction. In the words of Mrs. Hudson “It was purely physical between Frank and I!” and the whole debate of her only knowing him a short time before they were married).
John, on his wedding day, is confronted with seeing an old friend whom he has obvious old feelings about and his current friend whom he’s covering current feelings about in one concurrent situation. Does this imply that in the case of all of John’s ideas perhaps he was in love with Sholto but fell out of love with him over something (but chose to remain friends) to only end up falling in love over Sherlock and now has mixed feelings over the fact he IS getting married to Mary, a woman who is beautiful and seems perfect in every way but we later find out she’s as full of falsifications as Sherlock was concerning his death.
That is excellent. The pickle that John is in, is almost as big as he is.
This is an odd choice of painting. I thought Millais painting was about the sexualization of girl children, about the fallenness of women and their sexuality, the loss of innocence. ??
Every single johnlock fic in the history of johnlock fics:
John calls Sherlock ‘git’ about 87 times for some reason
Sherlock is always crying
Big bro Mycroft saves the day
Mary who?
Mrs. Hudson is convienietly visiting her sister so Sherlock and John can frick frack
Sherlock has never touched food in his entire life
John Big DickTM Watson
Irene is Sherlock’s badass lesbian bff
Sherlock never sleeps. He waits
Everyone hates Anderson.com
John is always at the pub
(Feel free to add more)
John: “Ta.”
Sherlock plucks/screeches on his violin instead of talking.
John: “Oi!”
There’s never any milk.
John always cooks and makes tea
If Sherlock eats he picks from John’s plate
Walks through regent’s park preferably in dizzly weather
Bond movie nights
John and/or Sherlock confess Feelings to Lestrade over pints
In the flat (and only in the flat) Sherlock flounces and John pads
Curls are invariably ruffled/smoothed/carded
Molly sees the light, ships them
Someone throws bills at the cabbie while the other hides their erection beneath their coat
-Body parts in the fridge. -Sulking Sherlock. -John takes a walk in Regent’s Park, usually having his Sexual Identity Crisis™ -The Yard has a betting pool on how long it will be before someone catches them shagging in a closet -Psychic Lestrade looks at them and Just Knows™ -Mycroft always knows™ because cameras and deductive powers
i’ve only written one johnlock fic so far and have one WIP and i swear i’m like guilty of like half of these already.
– Sherlock the drama queen
– John puts his face in his hands and wants to cry; alternately clenches his hands into fists of frustrated and/or repressed rage
– Everyone is like “WELL FREAKING FINALLY” when john and sherlock confess they’re together; alternately they look at john and sherlock, utterly perplexed, and go “what do you mean, finally?”
-Harry Watson coaches her brother though his sexual identity crisis, leading to a semi-reconciliation
Here’s a thrilling, really dramatic scene from TSoT:
John seems desperate here; a person very important to him 😉 is about to die – either from suicide or from a mystic criminal we haven’t identified yet. John’s wedding has become a crime scene! So he orders Sherlock to solve it… But wait a minute – does he now? Why then is John saying that Sherlock is not a puzzle solver?
I mean, we do know that he’s been a drama queen ever since S1, don’t we? Shooting the wall, sulking when John criticizes him, faking his own death in front of John, disguising himself to surprise John after two years, making John forgive him while pretending that a bomb is going to explode… And in HLV and TAB, Sherlock himself even says that he can’t resist a ‘touch of the dramatic’.
But he has also been a puzzle solver – that’s Sherlock Holmes’ MO. That’s what the Holmes stories always have been about in every adaptation, right? And yet John tells him now that he’s not a puzzle solver!? And then, in spite of this, he still says “the game is on – solve it!”
I always found this conversation a bit weird, seeing as it’s Major Sholto who is the drama queen in this case; it’s he who threatens to kill himself behind a locked door, not Sherlock. But now, in hindsight after Series 4, I finally think I ‘get it’. In fact, I believe they said it already in Series 1, TGG:
Why should we wait for Sherlock to solve the puzzle, when it can take years before S5 airs? This is something new! And John says Sherlock is notthe puzzle solver. I believe John’s message from TSoT is directed at us, the audience. Look at John in the last TSoT picture above – for a moment he’s looking away from Sherlock. This is our case – our game, and I believe we’re meant to figure out what has happened to Sherlock!
Because after TSoT, Sherlock is no longer solving puzzles; he fails his cases and has completely turned into Drama instead. We’re supposed to figure out what happens here – not with Major Sholto, but with Sherlock. Look at this girl from TGG. She’s hungry, but Sherlock has given her food for thought money for food, if she helps him to solve a puzzle; I think she’s us!
And in TLD, Shakespeare Sherlock couldn’t have said it clearer:
I think we have a crime case to solve – in fact I believe the whole show is a case for us, the audience, to try to solve. We’re not meant to just consume BBC Sherlock for entertainment, as passive viewers; It’s a crime case carefully laid out before us, complete with victim, suspects, murder weapon, venue and everything. And I think we’re supposed to use Sherlock’s methods – the science of deduction – to solve it. So, why not have a go? After all, we have plenty of time on our hands until S5 airs. 😉
This is Part I of a series of metas I plan to write, trying to see if it’s possible to deduce what has happened to Sherlock. In this exercise I’ll also try to provide links to a series of truly brilliant metas from different people in this fandom, which are all a great inspiration. And please bear with me if this introduction is getting a bit long (you can find most of it under the cut).
Just a heads up, AO3 deleted one of my original works because someone reported it for “not being fanwork” despite original work being a “fandom” with over 35k fics.
“Under Section IV. of the Terms of Service, which you agreed to when opening your account, prompt requests, prompt lists, squee posts, notices about meetups, non–fanwork fiction or nonfiction, fic searches, rec lists, letters to other users, reactions to episodes, blog or Tumblr-appropriate posts, and other ephemeral content (i.e. content meant to be temporary), are not allowed to be uploaded on the Archive of Our Own.”
If you have multiple original works on AO3, you very well could be permanently suspended for violating the terms of service.
Be careful.
I have no fucking clue, especially since they hired people to wrangle the tags, meaning that they’re well aware that original work is an option
IS this true? D: AO3 what the heck?
Here’s the email I got, so yeah, it is true
Can everyone reblog this? AO3 has been dealing with a lot of abuse in their invite system, and if they’re cracking down on other areas like original works, this could affect a lot of writers.
Literally why is this the line they draw? I really do not get it. Heads up, though, I guess
The arguments pointed out things like, if you wrote “fanfic” in the world of Jane Eyre, using the names of a couple of characters mentioned in passing or even a couple of characters hypothesized from canon (like, Jane’s grandparents) – there’s no way to tell that apart from original fic. And there was a long history of BL/Yaoi being part of fandom, and that was all original fic.
While Original Fiction was indeed a tag, many people were using it for “fiction set in a canon world but not using canon characters.” Some used it for things like “events in the SPN universe that don’t connect to Sam and Dean.” Some used it for retellings of fairy tales, or new fairy tales. And so on.
At first, the official rule was, “must be fanfic in some way; we’re not checking for not-fanfic works, but we’ll review them if they’re posted.” Eventually, that was relaxed.
The idea was, it’s okay to have fannish original fic, but not non-fannish original fic. And yeah, that’s a blurry-as-hell line, may require reading to figure out, and so on. (Most of the content policy rules are designed to be implemented without the need to interpret much of anything; they’re supposed to be as objective as possible. Like, you can’t sort out “is this non-con explicit porn” by list of keywords, but we can pretty much all agree on what that is. “Is this fannish-style origific or is it mainstream-style origific” is nowhere near as obvious, and I’m very glad I’m not involved in decisions like that.)
TL;DR – some forms of Original Fiction are fanworks. Some aren’t. AO3 doesn’t want to be Wattpad or Fictionpress; it wants to remained focused on fanworks. It really doesn’t want to be another version of nifty.org. (Very NSFW.) It’s got a very broad definition of fanworks – I’m pretty damn sure that both Neighbor Steve and Grandson Todd the Demon tumblr threads would be acceptable – but not every bit of fiction is a fanwork.
If you think your original fic was some form of fanwork, send them a note and discuss it.
So, one of Holmes and Watson’s clients entering their living room about 1886 would have found its walls decorated, most likely, by the reproduction of one of the above famous portraits of General Charles George Gordon, as well as by the reproduction of one of the above famous portraits of Henry Ward Beecher.
We can infer from the canonical quote above, that both were Watson’s contribution to the lodgings’ furnishing: Holmes says “YOUR newly framed picture of General Gordon”, and Beecher’s portrait stands upon WATSON’S books. The fact that one of them was “newly framed”, while the other was still lacking a frame, indicates probably a recent acquisition on Watson’s part, even if, I think, not a simultaneous one, otherwise Watson would have had the portrait of Beecher framed, too, when he brought Gordon’s one to the framer’s. Besides, while Watson had already found a suitable place and hung Gordon’s portrait, from Holmes’ comment it’s apparent that he was pondering in that precise moment where Beecher’s one could better fit.
My personal educated guess (read: headcanon) is that Watson bought Gordon’s portrait not long after the news of Gordon’s tragic death, which occurred on 26 January 1885, and on the surge of public emotion caused by it. Some time later, maybe on the occasion of the following Christmas, maybe following the death of Beecher in March 1887 and knowing that Watson would have liked a memento like the one he had bought of Gordon, Holmes, remembering passionate conversations with Watson about his ‘heroes’ Gordon AND Beecher (also hinted at in the above quote), decided to present his friend with a portrait of the latter, which could be an appreciated pendant to Gordon’s picture. (After all who, if not Sherlock Holmes, should be able to deduce the perfect gift for anybody?!? And even more so for his best friend and co-lodger!)
That Watson was a huge fan of these two people tells us quitesomething about our good Doctor.
[WARNING: Biographical digression begins!]
Charles George Gordon, aka ‘Chinese Gordon’, aka ‘Gordon Pasha’, aka ‘Gordon of Karthoum’ was probably the most famous British general of his age and, at the time of his death, was regarded by the majority of British public opinion as an heroic, almost Christologic figure (even if many of more recent historians provide – quite rightly, according to me – a by far more critical appraisal of the man), probably reinforced by his well known strong and a bit mystical religious beliefs. Contemporary biographies had almost invariably a quite hagiographic undertone, and therefore that was his image about the British population in those years (and probably still is, to many, also thanks to Ardrey’s famous 1966 film). Gordon firstly made his military reputation in China, where he was placed in command of a force of Chinese soldiers led by European officers. In the early 1860s, this army was instrumental in putting down the Taiping Rebellion (probably the first ‘total war’ of modern history, with estimated casualties amounting to 20 millions or more, and for the first time a prevailing civilian component amongst them), regularly defeating much larger forces. For these accomplishments, he was given the nickname “Chinese” Gordon and honours from both the Emperor of China and the British. Back in England, following the death of his father he undertook extensive social work and donated the gardens of his official residence to the public, thus gaining a philantropic reputation. But his properly ‘heroic’ image was built after he, in 1873, entered the service of the Khedive (with the British government’s approval) and then became Governor-General of Sudan, where he did much to suppress revolts and the slave trade. Exhausted, he resigned and returned to Europe in 1880, where he spent a couple of weeks in the Hotel du Faucon in Lausanne, probably because there had lodges also Giusppe Garibaldi, one of HIS heroes (ok, forgive this moment of national pride…). When a serious revolt exploded in Sudan, led by a Muslim reformer and self-proclaimed Mahdi, Muhammad Ahmad, Gordon was sent again to Khartoum by the British Government (January 1884), with instructions to secure the evacuation and then depart. After evacuating about 2,500 British civilians, however, with the rebels advancing against Karthoum, Gordon retained a smaller group of soldiers and non-military men. Besieged by the Mahdi’s forces, Gordon organized a city-wide defence, which lasted almost a year and gained him the admiration of the British public, AND embarassed and annoyed the government, which had not wished to be so entangled in the rebellion. Only when public pressure to act had become too great did the government reluctantly send a relief force, which, however,arrived only two days after the city had fallen and Gordon had been killed, at age 51. The public outcry and indignation was immense, and Gordon was regarded almost as a martyr. His death led to an “unprecedented wave of public grief across Britain” and, in the following years, portraits of him and romanticized pictures of his death became quite popular amongst the British public; several memorials were built thanks to public subscriptions.
Henry Ward Beecher was American, the son of a Calvinist minister and a clergyman himself, albeit, possibly as a reaction to his father’s stern religious views, he developed a theology emphasizing God’s love above all else, and a novel (and very successful: he basically supported himself and his causes by the high fees he charged for his lectures, being a very popular lecturer) oratorical style, in which he employed humor, dialect, and slang. Himself a famous social reformer, Beecher had several siblings, many of whom became well-known educators and activists, most notably Harriet Beecher Stowe, who achieved worldwide fame with her abolitionist novel Uncle Tom’s Cabin. Beecher became involved in many social issues of his day, most notably abolition. In his essay Shall We Compromise, he attacked the Compromise of 1850, an agreement between anti-slavery and pro-slavery forces which banned slavery from California and Washington, D.C. at the cost of a more severe Fugitive Slave Act: Beecher argued that it was a Christian’s duty to feed and shelter escaped slaves, and that slavery and liberty were fundamentally incompatible, making compromise impossible (“One or the other must die”). When a conflict between anti-slavery and pro-slavery forces broke out in Kansas, in 1854, Beecher raised funds to send rifles to abolitionist forces, stating that the weapons would do more good than “a hundred Bibles”. The press subsequently nicknamed the weapons “Beecher’s Bibles”. In 1863, during the Civil War, President Abraham Lincoln sent Beecher on a speaking tour in Europe to gain support for the Union cause – and this is evidently the occasion referred to by Holmes in the above quote. Beecher’s speeches helped to turn European public opinion against the pro-slavery Confederate States and to prevent its recognition by foreign powers. Watson was only a child at the time, and it’s therefore unlikely – albeit not impossible – that he heard any of Beecher’s lectures in person, but he probably read about them following his keen interest in Beecher’s life and ideals. After the war, Beecher also strongly supported the temperance movement (he was a committed teetotaller himself) and became a leader in the movement for women’s suffrage. On the other hand, he supported social darwinist ideas and preached strongly against strikes and strikers, believing that businessmen and captains of industry should be the leaders of society. He also was a quite renown womanizer, and ended up involved in an adultery trial which raised a scandal of national (and international: George Sand planned to write a novel about it, but never managed to begin it before dying) proportions, the so-called “Beecher-Tilton Scandal”, which alienated him from many fellow women’s rights leaders – included his sister Isabella Beecher Hooker. He died in his sleep on 8 March 1887 (aged 73), having suffered a stroke some days before.
[END of biographical digression]
Now, of course, we cannot know exactly how much, and what, Watson shared with these two men with respect to their ideas – of course, he could as well have agreed upon some of them, and disagreed on others.
Nonetheless, it’s interesting to notice what they have in common:
Both of them – albeit in different ways and different continents – actively fought againstslavery and played an important role in taking it down.
They had both strong, charismatic characters, were natural leaders, had very strong – albeit occasionally eccentric – personalities, and were basically born fighters, even if they fought in different ways.
They had both, each one in his own way, a strong commitment to social work and social development (even if occasionally driven by questionable ideas…) and were, to some extent and with all their limits and all the due differences, ‘revolutionaries’.
They had both a strong religious, spiritual drive and some messianic trait, in a way – they were certainly persuaded that God backed up their causes, and their faith inspired their choices and commitments.
So, what do all these things tell us about Watson?
Well, I’d guess they basically confirm some things we already knew about the good Doctor, and maybe suggest something more. That Watson was a man who admired strong, leading personalities we know from his admiration and devotion to Sherlock Holmes. That he was, himself, a “man of action”, and thus couldn’t but admire other men of action, Holmes tells us more than once, and is also apparent from what Watson tells us about his role in Holmes’ adventures. That he was – just like his literary agent, Dr. Arthur Conan Doyle – a peculiar mixture of solid British conservativism and rebellious free spirit, all topped by a dominating chivalrous spirit which led him to run to the defense of the innocent, the weak, the defenseless, we can infer from the whole Canon. Whenever Holmes breaks the law to pursue what he deems a fairer output, a more just solution, Watson is with him; whenever there is a lady in distress, an innocent unjustly accused, someone who has suffered a wrongdoing, Watson’s heart (and arm…) go to them. Can we also infer an interest, on Watson’s part, for religious, or at least spiritual, issues? Well, in the Canon there are not direct references to such an interest; and yet, we know that Watson read Carlyle (STUD) and Jean Paul Richter (SIGN) and had enough interest in philosophy to mark Holmes’ lack of interest in it as one of his top limits at the beginning of their acquaintance (STUD). More than this, I guess, we cannot tell – maybe he had a more active interest in religion than Sherlock Holmes, maybe, instead, he was just interested in the philosophical aspects of it, but I’d dare say that he, like his best friend, kept to some kind of spiritual (not spiritistic!) belief.
In any case, Watson keeping posters of his idols on the walls of his lodgings and fangirling over them is so terribly endearing!
😉
Gordon also was a never-married lover of boys. Beecher, a known adulterer. Might also tell us Watson was willing to overlook some things about men he admired.
Good Lord of Heavens!! @darlingtonsubstitution I was actually going to theorize that perhaps what Watson saw in these men, additionally, was what he found not only in himself, but in Holmes also. I had remembered a canon quote about Holmes enjoying religious plays and studying Buddhism, so in trying to find it, I came across a very insightful article:
“In dozens of dialogues with Watson, Holmes attempts to awaken in his friend the skills and willingness to see things as they are, not as one wishes, believes, projects, or fantasizes they are. As the philosopher Wittgenstein said, in a Zen-like fashion much like Holmes’, “Don’t think. Look!” Indeed, many a case turns on Holmes’ ability to gaze at a crime scene and see it without prior theories or prejudice, to see what is present. Keeping perception clear is the opening to insight.
According to Doyle’s text, Holmes has only one clear religious interest: He’s an eclectic religious searcher, especially concerning the religions of the East. This interfaith curiosity is signaled early, in The Sign of Four, when Holmes is described by Watson as chatting away with casual brilliance on many subjects, “on miracle plays, on mediaeval pottery, on Stradivarius violins, on the Buddhism of Ceylon, and on the warships of the future.” Watson adds that Holmes spoke “as though he had made a special study of it.” That Holmes would study Hinayana Buddhism seems surprising, until one actually looks at the ancient sources of this rigorous minority branch of Buddhism. Then the attraction becomes quite clear. Hinayana Buddhism, which claims to be the oldest, most accurate account of Buddha’s teachings, presents the Buddha as cool, rational, and emotionally distant, a strict and intellectually rigorous instructor. (The Compassionate Buddha of Mahayana Buddhism had yet to be developed.)
In “The Veiled Lodger,” Watson describes his friend as sitting “upon the floor like some strange Buddha, with crossed legs.” What’s more, consider how Holmes spent his three-year “hiatus” when everyone thought him a dead man, at the bottom of Reichenbach Falls with Moriarty. Free to do as he pleased, Holmes spent two of those years traveling in Tibet, where, he says, he “amused myself by visiting Lhasa, and spending some days with the head lama.” Some Sherlockians have speculated that Holmes completed his Buddhist initiation during those years and became a Buddhist master, a guru of awareness and observation. Perhaps that explains why Holmes is never again seen using drugs to calm his teeming brain.” (!!)
So, this not only cements Sherlock as Charlie Welsborough, coming back from Tibet, and possibly intending to come out to his dad, (a John look-a-like, AND a British Conservative, just as you described Watson), only to be ‘burnt to a crisp’ before he can reveal himself, but there is a possibility that Holmes is a Buddhist! I am floored. That is an awesome theory, if true. An additional point, supposedly, he STOPPED using drugs, when he returned, so why did we get Shezza back, although, I could never regret the Henry IV speech.
@tendergingergirl thanks for all the information! Although I’m guessing you meant to tag @thenorwoodbuilder about the awesome content of the original post and the description of Watson……?
Brand New Pictures from Sherlocked Oct 2017 Pt 41 – Museum & Costume pictures Pt 9 –Props Display Box 1 Pt2 – These
are my photos, so please do not repost Anywhere. You may make Edits with these
if you wish, but please put a link to this post as credit, thanks!(I think the envelopes are CAM’s bribery material)