liddrose:

captain-liddy:

captain-liddy:

when you brutalize a character you’ve asked your audience to identify with, in a small way you also brutalize your audience. think carefully about why you are subjecting them to that and what you hope they will get from it. 

also ask yourself if the audience you are subjecting to this treatment is going to be largely marginalized people. if so, consider another direction.

big mood

thepineapplering:

green-violin-bow:

thepineapplering:

I wonder what William Goldman would say about all this fuckery

4. Thou shalt not use false mystery or cheap surprise.
5. Thou shalt respect thy audience.
6. Thou shalt know thy world as God knows this one.
7. Thou shalt not complicate when complexity is better.
9. Thou shalt not write on the nose — put a subtext under every text.

Dksknsjsbdkdbd this is like DON’Ts CHECK LIST FOR TFP

to-kerlock-hell-in-a-handbasket:

to-kerlock-hell-in-a-handbasket:

Hey Mark Gatiss, there might be a point where you should start considering that maybe people complaining about Sherlock is less about wanting warm paste fed to them and more about voicing their confusion at you serving them edgy Deconstructed Warm Paste and saying it’s something else

Just because you think we should eat at your hipster buffet of edgy deepness doesn’t mean warm paste isn’t still warm paste even when you’re trying to disguise it as tapas served in mason jars

What’s the worst thing you can do, to your very best friends? Tell them your darkest secret. Because if you tell them and they decide they’d rather not know, you can’t take it back, you can’t unsay it. Once you open your heart, you can’t close it again

WHY THE HELL WOULD YOU INCLUDE THIS LINE IN THE MOTHERFUCKIN SHOW IT HAD NO DICKS TO DO WITH CULVERTON SMITH  (via culverton)

deducingbbcsherlock:

Hi all,

I watched TFP with a friend and we talked for a few hours afterwards. I’m not quite sure what to post here because I’m still trying to land on a reaction, but I feel like I should post something. 

Most importantly, I’m really sorry if I contributed to the hurt and loss any of you are feeling right now. I know none of us are actually responsible for that, but this morning, for example, I was so utterly convinced the leaked episode was fake after watching it that I know I built up some of your hopes even further. I apologize.

A few minutes of scrolling my dashboard and I see everyone’s already pointed out the many, many inconsistencies (Victor’s dog bowl had me cracking up, honestly), the horribly offensive stuff (all the villains are queer, but none of the heroes), the truly cruel scene with Molly that destroyed her character arc, Hulk smash coffin, not only surviving an explosion+crashing through a window+two story fall but not being so much as scratched, the fact that they could inexplicably hear MP child!Euros on the phone…and on and on. It felt so disconnected from the first two episodes, and all previous seasons. 

For me, it boils down to this: the first twelve episodes of this show had layers. Careful dialogue with subtext under the text, gorgeous compositions, stunning sets built with love and attention to the most minute of details, beautiful mind palace sequences––a lush Victorian London, even! And all of those things can be misinterpreted, surely. But god, I had so much fun trying.

This episode had one layer. For the first time ever, I have no urge to write a meta…not because I didn’t like what happened in the episode, but because there’s simply nothing to pick at. The lines were just the lines. The music, when present, was largely recycled from previous episodes. The concrete rooms were dull, the rest of the prison looked like something out of a 70s Bond movie – when the Garridebs brothers were dangled in front of the window and dropped, I half-expected Sean Connery to fetch them in a speedboat or something.

It looked and felt like a different show. I think maybe the reason I’m not feeling angry or sad yet is because I’m still waiting for…something. An explanation? A fourth episode? I don’t know. Something.

At the same time, if there IS something else coming, I can’t bring myself to get too excited about it. If this a trick or a plan or whatever, it’s not working on me. Maybe some fans will be psyched.

And if this is just it, well… I’ve had a blast with this blog and this community. I write novels, and picking apart these stories with all of you, talking subtext and metaphors and mirrors, has been incredibly educational for me as an author. I’ve learned what to do (and tonight, a heavy dose of what not to do!). I hope everyone here can take away something positive from this experience – I know I have. 

Most importantly, if you’re a writer or an artist or a musician or any sort of creator? KEEP CREATING. We need you.

DBS